I'm not the Immortal Artist. You are
Immortal Artist is dedicated to exploring all aspects of experimental art and creating new and innovative techniques which other artists can use to strengthen their own work.
The blogs creator, experimental artist Grey Cross pursues and discusses art across a wide spectrum of artistic mediums. They include painting, sculpting, body art, digital art, and photography. With an emphasis on teaching artists to utilize today's social networks to further their own art and reputations.
This blog uses the Living Blog concept, an idea created by Grey Cross
Grey Cross Studios/Immortal Artist Operations
Friday, December 30, 2016
An artists life can sometimes be difficult. Not only are we often perceived as hippies who can't make a living, or that our art is a hobby and not a real job. Opinions, both good and bad on our work is a constant force on what we do. It has a power all its own that can be so acidic that it may burn through an artists life leaving scars and even death in its wake. No matter how well known we are, the court of public opinion asserts a great force on what we do and always will.
Wednesday, December 21, 2016
Wednesday, December 14, 2016
When I was a child, I had a vivid imagination. So much so that I think I spent most of my preteen years living in my fantasies and hiding from my realities. I don't know if I had an imaginary friend when I was very young, but I suppose I really didn't need it. I was my own imaginary friend.
I remember for awhile I was completely absorbed in knitting yarn. I would take the yarn and I would weave gigantic spider webs out of it. These things would stretch from one side of a room to the other. I would anchor each piece of yarn from one high corner to the opposing lower corner. When I had 8 of these crisscrossing each other, then I would start to weave an intricate spider web from one strand to the next until the thing dominated the room making it completely unusable unless you wanted to get caught in my web.
Sunday, December 4, 2016
We all attach labels to ourselves. In the art world there are so many labels that we can lose our perspective in what suits us best.
It is not enough to say "I'm an artist". Its too vague.
I conducted a small experiment awhile back. I would introduce myself sometimes as an artist and other times as a sculptor. There was an immediate difference in how I was perceived.
To those who I told I was an artist, there was a vague sense of "oh how sad, he has no real job".
To those I told I was a sculptor, there was more of a sense of interest. Telling them I was a sculptor evoked interest and a need to know more. What kind of sculptor was I? What kind of materials did I use? Was it hard work?
Wednesday, November 30, 2016
How do we handle the theft of our work? As artists, we face a constant threat of others stealing our work online? The worse cases of this are people who try to resell our intellectual property.
I am not a believer in watermarks. I think a huge watermark over our work nullifies our attempts to promote our work online. I do believe in ID'ing our work with our logo, but a watermark that takes up the center point of an image does nothing except to detract from what we have created.
Tuesday, November 22, 2016
Thursday, November 17, 2016
The advent of the internet era has made a part of us impervious to death. What we perceive sometimes as a toy, as a method of communication, as a way to waste time when we are bored, has in its own quiet way turned us all into immortals. Its not because of the internet alone that I say this. Its because of the massive social networks promulgating the net now.
Before these came along in their present form, the internet was still a fractured place. Those using one service like AOL or a host of others, were still locked into a small part of the cyber universe. But now, organizations like Google, Yahoo and Facebook are unlocking the doors and expanding services to the point where we now have a doppelganger of our true selves living out there in cyberspace.
Monday, November 14, 2016
The simple fact is that this is not how others view our work. Think about it, when you see another artists work for the first time, do you see every little detail about that work? Or rather do you take in the wholeness of the piece, seeing it as a complete structure and not as a series of small brush strokes?
Thursday, November 10, 2016
Art bloggers make two common mistakes when they blog. These mistakes lay at opposite ends of the spectrum from each other.
At one end lays the trap of only blogging your art and nothing else. The result is that unless you can create new art daily, there are vast amounts of time where your blog sits unused while you create. No new content equals no new viewers.
It is the illusion that graffiti exists where it never actually did. The graffiti in these images does not really exist. It is conceived and created in the artists mind and never existed in reality. Using original photos and art, he plans and choreographs a theme for each piece and then carefully executes it into a single work of art. Any given piece may have dozens of components which were brought together to create the image.
Sunday, November 6, 2016
Creative people who share their views are often shunned. The Dixie Chicks come to mind as a great example of a group of singers who spoke their minds and had their careers nearly destroyed for speaking their minds on political issues.
What results is that anyone with a creative career such as musicians, movie stars, artists and performers have to think twice about whether they want to take the heat for expressing views that may go against their fans views.
Friday, November 4, 2016
I had a dream. I saw an abandoned house sitting alone in a field. The doors were open to the elements and the floor boards were cracked with gaping holes that were open to the dirt floor beneath. There were construction people with hardhats surveying the property. A large yellow tractor sat waiting outside. Several men walked through the house room by room until they came to the attic. At first view it was also empty, but one of the men noticed a small door to one side and opened it with some effort.
Thursday, October 27, 2016
As I work with emerging artists, I often see amazingly talented artists who have skills that far surpass my own. In every way they have the potential to become great artists and masters of the craft. But they are lacking one key element to move them from artist to master.
Sunday, October 23, 2016
One of the things that artists don't think about when they are beginning their professional careers is their name. I think this is because many of us think "to change my name means I am not being true to myself". I respect that line of reasoning. But It is important that we at least consider alternatives earlier in our careers rather than later.
Thursday, October 13, 2016
One of the biggest questions emerging artists struggle with is how do we make people look at our work? What is the secret that some artists seem to find that makes people stop and actually look at their work. Is there a magical formula for it? My belief is that its simply word of mouth. The secret is in making word of mouth spread.
I kind of see it in my mind like a set of scales. When we start out the scale is weighed completely against us. We are a completely unknown element. It does not matter how talented we are or aren't. The more people know about us as artists the more the scales start tipping in the opposite direction.
Monday, October 10, 2016
If you google the term "twitter tips" you will see in almost every article tips on using hashtags #. Hashtags increase your exposure, gain you a bigger viewing audience and allow you to zero in on a target area.
Friday, October 7, 2016
I get asked to attend a lot of shows and to review a lot of portfolios from other artists. No review of work is complete if you are only telling the artist that their work is good or their work sucks. I like to look at a critical evaluation of a piece of art like the building of a wall. One brick doesn't make a building. Many bricks do. Saying "good" or "bad" is the equivalent of one brick.
I also feel like I need to make sure I am applying the same set standards to each piece of work I look at and give it as objective a review as I can manage. I feel sometimes that art critics and gallery owners do not use as impartial a set of standards as they should. I've seen professionals in the art world apply very personal standards and biases and I think this hurts the art world. Because all art is subjective. Its all the eye of the beholder whether they like a piece or not. So professionals should hold themselves to a higher set of rules and guidelines.
Wednesday, October 5, 2016
This challenge involves reducing your available light by 75% while creating a work of art. The only rule is that you don't bring the lights up till you've completed it. If it takes you several days, then cover it over or hide it before you bring the lights back up. This will teach you how much we rely on our eyes and give your other senses a chance to come forward and take charge.
All finished pieces will be shown on the Immortal Artist site. When completed email a photo of your piece and some brief thoughts on how you felt the challenge went and whether you learned anything about relying on other senses and not just your eyes to create art.
Emails to: firstname.lastname@example.org
Tuesday, October 4, 2016
One of the problems that a gallery owner faces is that they get inundated with artists asking to be seen yet there are only so many days in the year and only so much wall space to utilize. If you consider the average gallery may do twelve shows a year that does not leave much leeway to host a large volume of artists.
There is a hell of a lot of work that goes into showing a new artist. A gallery must, out of necessity, show that artist for at least a months period of time if they wish to have the work seen and the buyers become interested.
Sunday, October 2, 2016
There is a natural flow to a perfect piece of art. Lets look at the classic Mona Lisa.
Monday, September 26, 2016
Thursday, September 22, 2016
In today's world there seems to be a protest about something almost every day. Most have valid reasons for doing so. Believe me, I think protests are one of the most important forms of public expression we have.
Saturday, September 17, 2016
There are a lot of great opportunities out there for artists. But many of them come with the stipulation that you get yourself and your art to the place its being shown at your own cost.
Art residencies are good about making sure the artists travel costs are taken into consideration. But say you want to enter a piece of art in a juried competition that is a thousand miles from where you live. Even if you are well suited to enter that competition, the cost may be past what you can afford.
Friday, September 9, 2016
The Elder Gods was my first attempt at matching written verse to art. There were five pieces of art created first and then I made an attempt to create a poetic saga, that merged the five pieces into one ongoing story.
Monday, September 5, 2016
When I was in my teens (I'm 51 now) I became a coordinator for Hands Across America. For all you young ones, this was a one-day event that tried to create a people chain, holding hands from one side of the United States to the other. My role was to organize and coordinate people going from Lansing Michigan to the staging area in Peru, Indiana. We had one mile to fill, and even though I was only 18 at the time, I pursued it with gusto. And you know, we did it. Our mile of that thousands of miles of people had no gaps and stretched out through Peru into an Indiana cornfield and beyond.
I couldn't tell you how many people we brought down there and I recall very few of the details of the event now. But there is one thing that sticks with me to this day; the hours right after the event ended. We'd all worked so hard and so long to bring it about, and we'd all become very close. And we just didn't want that feeling to end.
Friday, September 2, 2016
This page is an accumulation of notes and concepts regarding Assimilation Art. Because its a work in progress it may take me years to put it together, but as I devise a working set of parameters I will add them here. Check back often for new information and I truly welcome your comments and participation in this emerging art form.
Assimilation Art - Is the merging of two or more distinct art forms into one or more new forms. In some ways it is similar to mixed media art. Assimilation art may yield multiple end products where mixed media usually results in one piece of finished art. Assimilation art may produce multiple finished art pieces spawned from the same original work that are all different. Assimilation art may also take one art form and morph it into something new. For example, the artist creates a photo series that morphs into a painting based on that photo series that again morphs into a sculpture, etc etc.
The technical Greek definition of morphology means "the study of shape". At its very basic definition this is assimilation art. You are studying the shape and how it changes over time and how it can take on new shapes and forms.