|Photo Courtesy of XXX Zombie XXX|
This was story that brought a revelation to me. That trance state was something I understood. I'd done the same thing in countless body paintings moving around the model like I was dancing with them. Sound receding to the point where all the was left to me was the paint and a grand cosmic design that only I could see.
But where was I to go with this revelation? Deeper into the design. I dropped the pretext of trying to create a specific idea onto the model and merely let the paint speak for itself. I began to develop new ideas for how the paint could flow. Sometimes heavy splatters, other times merely drizzles across the models form.
I now understood Pollock in a more complete way. I was trance dancing to the colors but I was doing so in 3 dimensions rather than in one. The model had shape, they were not flat.
Its at that point that I devised the concept of the 3 dimensional canvas. A space with walls, floor and ceiling and the model in the midst of it and that intricate dance to merge the model with the space around them.
Now my mind races with ideas within the space of the 3 dimensional canvas. If anything I fear I will lose the rhythm of the dance if I don't move quickly. I can almost understand why Pollock took to drinking. Its almost too much to grasp at times.
Abstraction can be so much more. It may start with drizzling paint on a 1 foot canvas, but in those tiny steps there is a whole dance that we can achieve. We are both the dancer and the choreographer if we just let go and stop worrying about the perfection of our art. Let the paint flow.